WILLIAM LARSON exhibition reviewed on DAILY SERVING by Amelia Rina.

Each unique, grayscale print combines graphic marks and photo collage to produce a visual stutter of image, text, and line; like a cross-section of a hurricane, Larson’s work highlights possible instants in the continuum of images electronically whirling around us everyday. 

WILLIAM LARSON exhibition reviewed in THE NEW YORKER by Vince Aletti.

These startling black-and-white images where made electronically four decades ago, using signals transmitted by fax machines.

WILLIAM LARSON exhibition reviewed in COLLECTOR DAILY by Richard B. Woodward.

In art, as in life, timing can be everything. William Larson’s collages, done with the electronic aid of teleprinters, were out of step with the photographic majority when he made them between 1969-75. Now, they arrive for exhibition in New York as many younger artists involved with photography are bored by realism and once again in the throes of an obsession with process and non-traditional image making. 

WILLIAM LARSON, April 29 - July 2, 2015

William Larson's Fireflies series (1969–1978) were some of the earliest digitally generated works of art. Larson utilized a technology new to the time to present a dynamic way of image making that extended the vocabulary of montage.

ELIOT ELISOFON profiled on LIFE website by Krystal Grow.

As sensitive to light, texture and composition as he was to urban decay and social injustice, Elisofon’s early work was a combination of modern art and photojournalism, a blend that evolved over his lengthy career and positioned him as a versatile shooter. 

ELIOT ELISOFON exhibition reviewed in THE NEW YORKER by Vince Aletti.

But the show’s over-all focus is broader, including New York streetscapes from the thirties, as evocative as anything by Berenice Abbott, and charming images of children at play that would pair nicely with those by Helen Levitt. 

LOIS CONNER interview in the LOS ANGELES REVIEW OF BOOKS and the LARB BLOG.

ELIOT ELISOFON exhibition reviewed in THE WALL STREET JOURNAL by William Meyers.

There is a reason Life magazine dominated the market for more than 40 years: It had great picture stories. Eliot Elisofon (1911-1973) was a Life photojournalist for almost 30 years, covering such diverse stories as Gen. George S. Patton’s campaign in North Africa and Ella Fitzgerald’s birthday. 

ELIOT ELISOFON exhibition reviewed in THE NEW YORK TIMES: METROPOLITAN SECTION and
THE NEW YORK TIMES: LENS BLOG by John Leland.

The quiet stillness of Eliot Elisofon’s pictures of New York can be deceiving. Mr. Elisofon, who
died in 1973 at age 61, was neither quiet nor still. 

EDMUND TESKE exhibition reviewed in PHOTOGRAPH MAGAZINE by Jean Dykstra.

Edmund Teske’s photographs seem to exist outside of any standard chronology. They include otherworldly, almost Victorian studies as well as portraits of such public figures as The Doors’ Jim Morrison.